Tag Archives: ovidiu maitec

My special guests for Levure littéraire 14

Posted on July 1, 2018 by Constantin Severin

So happy to announce that the Spring/Summer issue (14) of the multilingual and multidisciplinary cultural magazine, Levure littéraire (France-USA-Germany), was launched. The founder, the Romanian born French writer, Rodica Draghincescu, included 270 Authors and Artists, around an ”essential theme on … Continue reading →

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Severin’s Choice: Ovidiu Maitec

Posted on February 2, 2018 by Constantin Severin

« L’histoire nous rapproche, nous fascine, nous bouleverse » Entretien avec le sculpteur roumain Ovidiu Maïtec, réalisé en 2001 par Constantin Severin « Ovidiu Maïtec , un nom dont la douce sonorité rappelle la surface soyeuse du bois, striée par … Continue reading →

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LEVURE LITTÉRAIRE No. 10: Severin’s Choice

Posted on November 26, 2014 by Constantin Severin

My spiritual family from LEVURE LITTÉRAIRE is very happy to share with over 220 international artists and thousands of fans from over 150 countries its 10th issue, a vivid debate on the theme ”Words and Declarations of War: The Unannounced … Continue reading →

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’’Pe toţi istoria ne apropie, ne fascinează, ne tulbură’’

Posted on October 1, 2014 by Constantin Severin

Dialog cu sculptorul Ovidiu MAITEC ’’Ovidiu Maitec, un nume ale cărui blânde sonorităţi amintesc de atingerea de mătase şi de lumină, cu striaţii de amurg, a lemnului. După dispariţia unor monştri sacri precum Eliade, Cioran, Ionesco, Culianu, Apostu, pe care … Continue reading →

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Letter to Charles Saatchi

Posted on November 12, 2013 by Constantin Severin

Dear Charles Saatchi, I’m one of the intellectuals who believe in destiny’s magic and its significant coincidences. That’s why I think now, retrospectively, that it wasn’t a simple coincidence that the first book which influenced my vision on art as … Continue reading →

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Severin’s Choice: Mircea Roman

Posted on June 6, 2013 by Constantin Severin

The leader of 80s generation on the current Romanian art scene is a sculptor, Mircea Roman. In fact, paradoxically, although the sculpture gained notoriety in Romania much later, the first important and larger generation coming into being at late nineteenth … Continue reading →

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